Raventhrone

   
Artist: Raventhrone

   Genre(s): 
Metal: Doom
   Metal
   

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Discography:


   
 Endless Conflict Theorem

   Year: 2002   
Tracks: 11


   
 Malice In Wonderland

   Year: 1999   
Tracks: 10

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Dwele

   
Artist: Dwele

   Genre(s): 
R&B: Soul
   Other
   

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Discography:


   
 Some Kinda

   Year: 2004   
Tracks: 15


   
 Rize

   Year: 2004   
Tracks: 17


   
 Beware of the Bird

   Year: 2003   
Tracks: 19


   
 Mixtape

   Year: 2002   
Tracks: 12

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Neo-soul Dwele grew up on Detroit's west face, listening to soul music from Motown visionaries Stevie Wonder and Marvin Gaye as advantageously as idle words on the radiocommunication. Born Andwele Gardner, he began penning songs at the old age of ten, after his church Father was murdered outdoor his abode, and attended Cody High in Detroit. Dwele washed-out a year poring over medicine at Wayne State simply and then opted for an informal education, making music at his family patch living in Dearborn and on the job for AAA. His demonstration tape, 1998's The Rize, made waves about the Motor City, and he exhausted time collaborating with Detroit hip-hop radical Slum Village and Philadelphia rapper Bahamadia. Signed to Virgin on the forte of his songwriting and performance skills, Dwele released Discipline in mid-2003 and cemented his appeal with European audiences (he was a favorite on Gilles Peterson's influential Radio 1 program) with a tour that summer. His second base album, Some Kinda, followed in 2005.

Dick Gaughan

   
Artist: Dick Gaughan

   Genre(s): 
Celtic
   

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Discography:


   
 Sail On

   Year: 1997   
Tracks: 11


   
 Handful Of Earth

   Year: 1981   
Tracks: 10


   
 No More Forever

   Year: 1972   
Tracks: 11

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Though primarily steeped in the traditions of folk music and Celtic music, Scottish singer/songwriter Dick Gaughan enjoyed a prolonged and far-reaching career in a change of creative pursuits. Born Richard Peter in 1948, he number one picked up the guitar at the age of seven, and issued his debut solo LP No More Forever in 1972. Gaughan so sign on with the folk-rock mathematical group the Boys of the Lough, releasing a 1973 self-titled LP before reversive to his solo life history with 1976's Kist o Gold. However, he shortly returned to the grouping format, forming a band named Five Hand Reel and issue some other eponymously coroneted effort that same year; over the next deuce eld, Gaughan issued quadruplet more records -- deuce solo releases (1977's Fuzz and Brass and 1978's Gaughan) as good as two more than Five Hand Reel outings (1977's For A' That and 1978's Earl o' Moray). In the late 1970s and early 1980s, he worked as a critic and columnist with Folk Review mag, and likewise acted as a member of the 7:84 Theatre Company; afterward a three-year absence from the studio, Gaughan also returned to regular musical obligation with the spill of 1981's Handful of Earth. A Different Kind of Love Song followed in 1983, and in 1985 he released Live in Edinburgh; True and Bold appeared a year later. After 1988's Call It Freedom, Gaughan once again retreated from view; much of his fourth dimension was devoted to his increasing involvement in computer engineering, and he after earned notice for his skills as a programmer and web fashion designer. Finally, he formed a new ring, the fugacious Clan Alba, which disbanded afterward releasing their 1995 self-titled debut; the solo Sweep On arrived the next year, followed in 1998 by Redwood Cathedral.





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